James Karales

"James Karales (1930-2002) was big-time in the best time but is not as well known as he should be," arguesphotographic historian Vicki Goldberg. This book will change that. Early in his career, Karales began a photo-essaydocumenting Rendville, Ohio, an important stop on the Underground Railroad during the Civil War and one of the fewracially integrated communities in America in the late 1950s. These pictures demonstrate his striking ability to capturethe essential qualities of a community, are reminiscent of images made for the Farm Security Administration in the1930s, and reflect Karales' state of mind as he grappled with the racial issues that were to preoccupy him and Americafor many years to come.Karales worked for Look from 1960 until it ceased publication in 1971. Among many important assignments for themagazine, Karales documented Martin Luther King and the 50 mile, five-day Selma (Alabama) march in 1965. 15 minutesbefore the end of the march, the sky darkened and Karales' wide-angle shot of the protesters silhouetted against thehorizon has since become an emblem of the march and has insured the photographer's place in this tumultuous periodof American history. Through this new publication we discover that Karales' stature as a photojournalist and socialdocumentary photographer par excellence is based on much more than one iconic image from Selma.