A Chink in the Wall

Focusing on the role of German writers and literature in the antinuclear protest movements of the 1980s, this book situates antinuclear opposition in both Germanies and the aesthetic production associated with it within the broader context of German unification. The findings should be of interest to students of German literature; others in German studies, including historians and political scientists; and, more generally, those interested in the culture of the Cold War.